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| Book Details... |
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Series / 所属系列: |
| Rosa and Her Family
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Overview / 简介: |
The jar of coins is full. The day has come to buy the chair--the big, fat, comfortable, wonderful chair they have been saving for. The chair that will replace the one that was burned up--along with everything else--in the terrible fire.
A book of love and tenderness filled with the affirmation of life.
The jar of coins is full. The day has come to buy the chair - the big, fat, comforable, wonderful chair they have been saving for. The chair that will replace the one that was burned up - along with everything else - in the terrible fire.
A book of love and tenderness filled with the affirmation of life.
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Foreign Customer Review / 国外客户评价: |
| From The New Yorker
A tender knockout-from the author/illustrator of, most recently and auspiciously, Three Days on a River in a Red Canoe. "My mother works as a waitress in the Blue Tile Diner," the little-girl narrator begins -- and to the accompaniment of vividly colored, direct, proto-primitive pictures -- the real, life-like story comes out. At home is a glass jar, into which goes all Mama's change from tips and the money Grandma saves whenever she gets a bargain at the market. "When we can't get a single other coin into the jar, we are going to take out all the money and go and buy a chair ... A wonderful, beautiful, fat, soft armchair." This is because -- we see as she tells it -- all the family's furniture burned up in a fire; and though neighbors and friends and relatives brought replacements (a buttercup-and-spring-green spread to contrast with the charred gray gloom just preceding), "we still have no sofas and no big chairs." Only straight, hard, kitchen chairs. Then the jar is full; the coins are rolled in paper wrappers, and exchanged for bills; and "Mama and Grandma and I" go shopping for the chair. This last sequence is a glory: Grandma feeling like Goldilocks, trying out all the chairs; the very rose-covered chair "we were all dreaming of," plump in the middle of the floor; the little girl and her mother, snuggled in it together ... and she can reach right up "and turn out the light if I fall asleep in her lap." It's rare to find so much vitality, spontaneity, and depth of feeling in such a simple, young book. |
About the Author / 作者介绍: |
| In Her Own Words..."Throughout my childhood I was encouraged to make pictures, tell stories, act, and dance--all of this at a heaven in our New York City neighborhood called the Bronx House.
"Saturdays I painted with a crusading art director, Florence Cane. In her book The Growth of the Child Through Art, I appear under the name Linda. I was sixteen when the book appeared and embarrassed by it. But at age nine I had been totally proud when a painting of mine was exhibited at the Museum of Modern Art and I was later shown in the Movietone News explaining to Eleanor Roosevelt its Yiddish title, "Yentas."
"In 1945 I went to Black Mountain College in North Carolina, a unique educational community. I graduated in 1949 in graphic art, which I studied with Josef Albers. Along the way I planted corn, made butter, worked on the printing press, and helped to build the house in which I lived with Paul Williams, a fellow student I married there.
"I wanted that connection of art and community to continue. And it did at the Gate Hill Cooperative, a community we built with other Black Mountain people, a poet, musicians, and potters. I lived and worked there from 1953-1970 (after which I moved to Canada). My children (Sarah, Jenny, Merce) grew up there. For them, we branched out into a school, part of the Surnmerhill movement. The gingerbread houses that led to my first book for Greenwillow I first made in sticky variety at our school. I have always liked to teach and have taught art, cooking, writing, nature study, for nursery age on.
"At forty-six, no longer married, living in a houseboat on the bay at Vancouver, British Columbia, I did my first book. But before that could happen, the fates decreed a stint of cooking and running a bakery at a small school in the Ontario countryside. My love affair with Canada included also a 500-mile trip on the Yukon River. Many of those adventures I put in Three Days on a River in a Red Canoe.
"I also write and draw for adults-short stories, leaflets, and posters. As a lover of children, I try to do what I can to help save their earth from nuclear disaster. This pursuit, too, has added its excitement to my biography, including, in 1981, a month's stay in the federal penitentiary in Alderson, West Virginia (an outcome of a women's peaceful blockade of the Pentagon). Perhaps this experience will some day appear in one of my books. So far I've found children's books a wonderfully accommodating medium where any of my various activities might pop up." |
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