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Overview / 简介: |
| "A plain horse and wagon on Mulberry Street grows into a story that no one can beat!" In this delightful tale, Young Marco allows his imagination to run riot as he travels home from school one day, to the extent that a horse and cart is soon transformed into a chaotic carnival of colourful creatures. This delightful book forms part of the second stage in HarperCollins' major Dr. Seuss rebrand programme. With the relaunch of 10 more titles in August 2003, such all-time favourites as How the Grinch Stole Christmas!, Mr. Brown Can Moo! Can You? and Dr. Seuss' Sleep Book boast bright new covers that incorporate much needed guidance on reading levels: Blue Back Books are for parents to share with young children, Green Back Books are for budding readers to tackle on their own, and Yellow Back Books are for older, more fluent readers to enjoy. And To Think That I Saw It On Mulberry Street belongs to the Green Back Book range. |
From Organization / 国外机构评价: |
| Marco is in a pickle. His father has instructed him to keep his eyes peeled for interesting sights on the way to and from school, but all Marco has seen is a boring old horse and wagon. Imagine if he had something more to report, say, a zebra pulling the wagon. Or better yet, the zebra could be pulling a blue and gold chariot. No, wait! Maybe it should be a reindeer in that harness. Marco's story grows ever more elaborate as he reasons that a reindeer would be happier pulling a sled, then that a really unusual sight would be an elephant with a ruby-bedecked rajah enthroned on top. "Say! That makes a story that no one can beat, / When I say that I saw it on Mulberry Street." Time and again, Marco tops himself until he is positively wound up with excitement and bursts into his home to tell his dad what he saw on Mulberry Street.
Pulitzer-prize winning Dr. Seuss needs no introduction. His ode to the imagination of a child is as fresh and exquisitely outlandish today as it was when first published in 1937. This is a classic that will never fade with age. (Ages 3 to 8) --Emilie Coulter --
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Foreign Customer Review / 国外客户评价: |
| When you first open this book, you will be struck that it's not quite like any other Dr. Seuss book. The first drawings are smaller and simpler. The poetry is a little more restrained. You'll wonder why it's different, and then you will realize that this was his very first book for children. Like most of us, he was a little restrained at first. But, before long, the full gamut of Dr. Seuss is loose!
Marco is a small boy who walks to school along Mulberry Street. His father likes to encourage him. "'Marco, keep your eyelids up and see what you can see.'" Marco's father is looking for the eye of a scientist or a reporter. But Marco has the eye of a poet. So when Marco tells what he has imagined he has seen, his father sternly says, "'Your eyesight's much too keen. Stop telling such outlandish tales. Stop turning minnows into whales.'"
The story then takes you through one day when Marco only sees a horse pulling a man on a broken-down wagon on Mulberry Street. But Marco soon imagines something much grander. If you change a horse for a zebra, that's better. Or you could change that zebra for a large reindeer. Or better yet, how about an elephant with a Rajah wearing rubies on a throne on top? And on it goes.
When Marco gets home, he's elated. "I ran up the steps and I felt simply GREAT!" The reason for his excitement is because "I HAD A STORY THAT NO ONE COULD BEAT!" I think you'll agree.
So what does he tell his father? You'll be amazed!
I found that this book worked well at several levels. First, it captures the kind of miscommunication between parent and child that can set up barriers that exclude what could be much shared joy. Marco's father needs to learn to enjoy his son's imagination, as long as Marco isn't confused about what is real and what is imagination.
Second, many people have trouble understanding how to be creative. Substitution of elements is a classic technique. Here, the structure of that process is elegantly displayed. First, you replace one element. Then you see if that helps you see a way to create a related replacement of another element. Then what does that suggest? And on it goes. Soon, there is no obvious link back to the beginning, but you have created something wonderful that would have been hard to do from a blank sheet of paper. Fiction writers, pay attention!
Third, most children these days complain that they are bored all of the time if they don't have someone putting on a world class act for them. Here is a good role model for how they can create an exciting set of thoughts out of something very mundane. Wow! Is this needed, or what?
To take advantage of this potential, I suggest that you and your child go out for a walk and play this imagination game together. Then, come back and make a book out of the experience that recounts how you went from one step to another. That's a wonderful way to ensure that your child's natural brilliance has a chance to develop even further, and she or he will realize that you want to enter into play with him or her. Wonderful bonding will result!
Enjoy all of the potential of everyone and everything!
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About the Author / 作者介绍: |
| "A person's a person, no matter how small," Theodor Seuss Geisel, a.k.a. Dr. Seuss, would say. "Children want the same things we want. To laugh, to be challenged, to be entertained and delighted."
Brilliant, playful, and always respectful of children, Dr. Seuss charmed his way into the consciousness of four generations of youngsters and parents. In the process, he helped millions of kids learn to read.
Dr. Seuss was born Theodor Geisel in Springfield, Massachusetts, on March 2, 1904. After graduating from Dartmouth College in 1925, he went to Oxford University, intending to acquire a doctorate in literature. At Oxford, Geisel met Helen Palmer, whom he wed in 1927. Upon his return to America later that year, Geisel published cartoons and humorous articles for Judge, the leading humor magazine in America at that time. His cartoons also appeared in major magazines such as Life, Vanity Fair, and Liberty. Geisel gained national exposure when he won an advertising contract for an insecticide called Flit. He coined the phrase, "Quick, Henry, the Flit!" which became a popular expression.
Geisel published his first children's book, And to Think That I Saw It on Mulberry Street, in 1937, after 27 publishers rejected it.
Winner of the Pulitzer Prize in 1984, an Academy Award, three Emmy Awards, three Grammy Awards, and three Caldecott Honors, Geisel wrote and illustrated 44 books. While Theodor Geisel died on September 24, 1991, Dr. Seuss lives on, inspiring generations of children of all ages to explore the joys of reading. |
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