From Organization / 国外机构评价: |
| Grade all levels?Penguin's production amplifies the fact that A.A. Milne has created some of the most memorable poetry and prose in children's literature. Charles Kuralt narrates all the tapes. When We Were Very Young resounds with Kuralt's lively reading of the nonsensical and onomatopoetic rhymes that fill the heads of toddlers. Opposite these poems, the narrator reads, with loving care, the verses about the real and imaginary playmates that warm youngsters' hearts. Now We Are Six reflects the growing complexity of a child's world. The narrator's voice is soft and vulnerable when reading of the innocent, inquisitive thoughts that preoccupy children, yet Kuralt speaks with a touch of exasperation when reading the poems depicting the young's struggle to understand the adult world. He does equally as well with Milne's stories. All the inhabitants of the Hundred Acre Wood are introduced and their humorous escapades chronicled in Winnie-the-Pooh. While portraying the characters, Kuralt's child-like tone reflects their goodness, innocence, and wee intellect. The House at Pooh Corner continues the adventures of Pooh and introduces the bouncing, pouncing, lovable Tigger. Besides the delight children will experience when listening to the light-hearted, captivating stories, young listeners will also identify with the universal hopes, fears, and wishes of the characters. Kuralt's deep, learned-sounding voice gives the narration a fatherly, comforting feel. Libraries will want to acquire these high quality productions. |
Foreign Customer Review / 国外客户评价: |
| Forget the smoke-filled coffee shop, the microphone on the podium and the beatnicks huddled around their coffees. The real test of a reader's poetic prowess is A.A. Milne, the living room couch and a handful of kids waiting for your renderings of growling bears and timelessl human characters.
It takes an extraordinary book to capture children's attention on the strength of words alone.
It's not that there are no illustrations here, just that each poem has just one or two small, original ink drawings; delightful, but bowing appropriately to the genius of words that can hold children spellbound. For instance, Milne takes a subject like sidewalks and transforms it into the stuff of playacting in Lines and Squares - an irresistible cadence to chant on a walk (or a lumbering gait):
And the masses of bears
Who wait at the corners all ready to eat the sillies who tread on the lines of the street
And I say to them, "BEARS.....
Just look how I'm walking in ALL of the squares!"
As I read I can now recall the precise inflection and finger-shaking combination from Disobedience that it took to elicit giggles from my sisters and me, now working its comedy on my four-year-old son:
James James SAID to his mother, "Mother", he said, said he;
"You Must Never Go Down To The End Of Town If You Don't Go Down With ME!"
When We Were Very Young is a collection of poems for children, about childhood, and for those who wish to remember its special magic view on the world. This book is a beloved tradition in my family, starting with those cozy evenings on my Grandmother's couch as we all snuggled up to hear about the brownie that lives behind the curtain, Jonathan Jo (who had a mouth like an O), the three foxes and Christopher Robin, who couldn't stop his hoppity hop. Your family is sure to find its own traditions in reading these poems to each other, young and old alike.
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